I've never checked the files of any of those other listed games which would explain my unfamiliarity, lol. Or in the case of the dynamic streamed music it's just the former distinction:Īs a side note because I think it's amusing for the Mario Kart DLC they really tried to avoid spoiling future content with the filenames for courses (and later drivers) even though they messed up and left things in unintentionally multiple times anyway:Ĭ = Course NSW = Nintendo Switch number = course number (first number is wave, second is track 11 would be Paris Promenade) final letter is either N (normal) or F (final lap). The new tracks really do follow a very similar format, except with the s added to Red Carpet and the bpm in place of the initial: I know that's how people worked out who composed what on games like 3D World since the OST didn't give composer credits.Īll of the base game tracks are listed the same way in the Switch port, yeah ported over exactly. I wonder if Nintendo still leaves the composer names/initials in the music filenames. Anyway, he's was the music lead for Pikmin 4, so that may add support for Tour winding down on new content soon. We know Kenta Nagata was invovled with Tour in some capacity (probably the sound director), but it's hard to say if he was the sole composer for the game or if he had any assistance. On a somewhat related note, the large amount of new music arrangements for the BCP may leave holes in certain composers' credit histories. It could be a case of another developer like Bandai Namco Studios having a significant role like the base game. Booster Course Pass not having credits.The ARMS leads being apparently absent from any credits/patents/etc following that game.No credits for Mario Kart Tour and since it's an ongoing game, we don't know how many staff are still working on it.EPD 9 is still a mystery for a number of reasons:
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